At the moment, what I like about this print is the total absence of snow. Perhaps even more is that it reminds me of a sunny afternoon sitting on a huge rock with a friend drawing rocks and trees and water and rocks and trees and water, but mostly enjoying the sun.
Snow at Starkey’s
Outside the wind chill makes it feel like -30C. I’m back inside now, huddled over my mac for warmth and wondering why my ancestors paid good money for passage from England to this frozen real estate when they could have just stolen a loaf of bread and been given a free trip to warm, sunny Australia.
I spent a (much warmer) day last March wandering around a bush near here sketching the aftermath of a snow storm. This three colour print is from one of the sketches.
Northern Morning
No matter how nice an air mattress I drag along when I’m camping I wake up about 4:30 – 5:00 am then turn from side to side to side like a rotisserie, trying to get comfortable. I never do so I get up. The upside is that I have lots of drawings done in the early morning calm. I liked the tree in this sketch and so, pining for the north, so to speak, engraved it. It’s 6.5×9 with five tones of grey ink on Stonehenge paper.
Backyard
There’s a voyeur aspect to train riding that I like; mile after mile after mile of backyards. If you were on the right train you’d see mine. I did the drawing last summer but changed it to a winter scene to cover up all the stuff that was scattered about and to spare me the pain of engraving tree leaves. The lazy way to clean up a yard.
Cedars and rocks and cedars and…
…and speaking of shows.
This print, The Oregon Chronicles ll, is in a show at The Elora Centre For The Arts as a prequel to ART IN THE YARD, a great outdoor show that occurs on July 5 & 6, 2014.
Insights… 35th Annual Juried Exhibition
Here’s a great show to catch if you’re in the Guelph/Wellington area. It features juried art from all disciplines in a great old building, The Wellington County Museum between Elora and Fergus.
My print ‘Shape ll’ was accepted. It’s part of an ongoing fascination with creating a tension between static and falling objects. 17 ” 22″, printed in 4 colours on Stonehenge.

Cedars
Memory of Summer
Through the Blue Shute
In Hiding
This could be the shoreline of a lot of lakes or rivers but was done on the Middle Naiscoot, a river flowing into Georgian Bay.. The river is being choked up with silt and plants because of both falling water levels and sluggish water flow caused by the beaver dams that plug both ends. The beavers’ handiwork is supported by the duck hunters because still waters allow wild rice to grow which attracts ducks which aforementioned duck hunters then shoot.
The print is a 16″x6″, single colour engraving printed on Stonehenge paper.










