At last night’s show I tried to explain how the plates were printed and used. I didn’t have any sample bits there to make it easy to explain so I’m posting these pics which, hopefully, explain it all.
The bulk of my engraving is done with ‘V’ shaped knives like the one shown but on these plates I used a drimmel in order to get more organic looking shapes. The inset pic shows how everything BUT the image is cut away.
The progressive sheet shows how a three colour print comes together.
This is a great show if you’re interested in letterpress printing and the related arts. If you make it, be sure to drop by our booth.
This was my entry into the Tarot Lovers show, a (somewhat cynical :- ) three colour engraving.
A lot of great Art and Artists in Elora next weekend, July 8 & 9. Cool downtown complete with The Elora Brew Pub to visit after the show if, perchance, you feel like imbibing a local brew or buying one for a (somewhat) local printmaker.
A few posts ago I had a sketch of some rock in the north end of the Georgian Bay; here’s a nine colour, 9×12 engraving from that sketch. Sit still long enough to sketch and birds come by, turtles, lizards and snakes poke their heads out from hiding and, usually, an enormous ant takes a bite of some bit of exposed butt cheek.
This barn, one of Ontario’s ubiquitous bank barns, was in the middle of a field on a sideroad way, way out in the country. It looked quite safe from developers’ bulldozers.
The print is one of a series of larger barn prints, this one is matted to 14×23. The barn was red, honest!
Most printmakers show progressive prints as a sort of educational/interest thing, I’m doing it just to get a bad pun out of my head and into the subject line.
It feels better already.