Near Damascus, Ontario. This barn came down a few years ago, glad I took the time to do a proper sketch. Their architecture has a magic of its own so it’s sad to see them fall into ruin and then dissapear.
A few posts ago I had a sketch of some rock in the north end of the Georgian Bay; here’s a nine colour, 9×12 engraving from that sketch. Sit still long enough to sketch and birds come by, turtles, lizards and snakes poke their heads out from hiding and, usually, an enormous ant takes a bite of some bit of exposed butt cheek.
This barn, one of Ontario’s ubiquitous bank barns, was in the middle of a field on a sideroad way, way out in the country. It looked quite safe from developers’ bulldozers.
The print is one of a series of larger barn prints, this one is matted to 14×23. The barn was red, honest!
Most printmakers show progressive prints as a sort of educational/interest thing, I’m doing it just to get a bad pun out of my head and into the subject line.
It feels better already.
It must be February, the winter seems never ending so I haul out the sketchbooks and imagine myself doing lichen impressions on a rock in Georgian Bay or thereabouts. This is one such rock in one of my reflective moods.
This is a Christmas collaboration with my favourite printmaker, Maria Moser. The church is in Wurzbrunne, Switzerland, home of her paternal ancestors. It’s printed in five colours on stonehenge.