This was a print of a somewhat abstract painting I did of a storm that was moving in. A bit of random rolling out of ink in the background for a slight ‘organic’ feel.
Not sure where the graphic of the hands came from. If they gave me a really, really big bottle of wine and said ‘Draw us some hands’ I could have done that.
Mind you, in the morning I would have looked at it, thrown it out, and said ‘Hold on, I can do better.’
Here’s a great way to meet the Artists, to see the art and the studios of 43 Artists.
Please do drop by 7 Preston St. a block north of Waterloo Ave. just west of Glasgow.
The Luther Marsh is a large, man made lake that affords sanctuary for many, many birds, migratory and otherwise. Areas of it still have the trees that died when the area was flooded and some of these support nests like the Blue Heron nest in my print.
This barn, one of Ontario’s ubiquitous bank barns, was in the middle of a field on a sideroad way, way out in the country. It looked quite safe from developers’ bulldozers.
The print is one of a series of larger barn prints, this one is matted to 14×23. The barn was red, honest!
Most printmakers show progressive prints as a sort of educational/interest thing, I’m doing it just to get a bad pun out of my head and into the subject line.
It feels better already.
It must be February, the winter seems never ending so I haul out the sketchbooks and imagine myself doing lichen impressions on a rock in Georgian Bay or thereabouts. This is one such rock in one of my reflective moods.