It was all happening on paper inside while the cold and storm was happening outside!
My Kinda storm…
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Category Archives: landscape
Misty morning
One morning I canoed out into a thick fog and down a wide channel towards open water. When I left the channel and headed towards the shore islands slowly began to appear out of the fog. It was quite magical.
This is a 27×14.5 cm, five colour reduction print.
Last Light
I had a spatula of dark ink after cleaning up from printing and ‘painted’ this tree with it. I liked the tree so I created a background for it. 
Snowy Road, one of a series of Ontario’s bank barns.
I editioned this years ago but something about it always bugged me so it was relegated to a drawer. Two weeks ago I sliced a lot of roadway from the bottom of the plate and all of a sudden the eye was drawn to the barn, not the road!
These are printed in black with an image area of 35.5×58.5 cm (14×23″).
Hay Pulley
These hay pulleys ran along a track near the peak of the barn roof. The bottom pulley clipped onto a large fork that dropped down and stuck into loose hay on the wagon just in from the field. The rope was attached to a team of horses that would pull the hay up to where it could be dropped into the loft. Hot, dusty, sweaty work.
This is a four colour print with an image area 28 x 34 cm (11×14.5 inches)
An explanation of the process.
At last night’s show I tried to explain how the plates were printed and used. I didn’t have any sample bits there to make it easy to explain so I’m posting these pics which, hopefully, explain it all.
The bulk of my engraving is done with ‘V’ shaped knives like the one shown but on these plates I used a drimmel in order to get more organic looking shapes. The inset pic shows how everything BUT the image is cut away.
The progressive sheet shows how a three colour print comes together.
Incoming.
This was a print of a somewhat abstract painting I did of a storm that was moving in. A bit of random rolling out of ink in the background for a slight ‘organic’ feel.
Luther Marsh
The Luther Marsh is a large, man made lake that affords sanctuary for many, many birds, migratory and otherwise. Areas of it still have the trees that died when the area was flooded and some of these support nests like the Blue Heron nest in my print.
More rock, more Georgian Bay
A few posts ago I had a sketch of some rock in the north end of the Georgian Bay; here’s a nine colour, 9×12 engraving from that sketch. Sit still long enough to sketch and birds come by, turtles, lizards and snakes poke their heads out from hiding and, usually, an enormous ant takes a bite of some bit of exposed butt cheek.
The Red Barn
This barn, one of Ontario’s ubiquitous bank barns, was in the middle of a field on a sideroad way, way out in the country. It looked quite safe from developers’ bulldozers.
The print is one of a series of larger barn prints, this one is matted to 14×23. The barn was red, honest!
What a difference a grey makes!
Most printmakers show progressive prints as a sort of educational/interest thing, I’m doing it just to get a bad pun out of my head and into the subject line.
It feels better already.
Rockface
It must be February, the winter seems never ending so I haul out the sketchbooks and imagine myself doing lichen impressions on a rock in Georgian Bay or thereabouts. This is one such rock in one of my reflective moods.
Ink Wash
Gallery
This gallery contains 10 photos.
The ubiquitous cedar.
Georgian Bay conjures up visions of pines bent from the incessant wind but the very edge of the Bay is populated by tough little cedar trees that somehow defy some very nasty winter winds to grow in little or, seemingly, no earth.
The Bay, The Bay, aaaaahhhh, The Bay
A week camping and canoeing through the Georgian Bay archipelago brushes stress away like a broom through cobwebs. Perfect canoe weather with lots of sun and more sun and even more sun. 
clive lewis, printmaker 