All set up and ready for Saturday’s opening. This show is a mix of Abstract and landscape, the abstracts being the larger portion, and size.
Nice when the moon is out, when it disappears the islands and mainland become one big, black shape.
4/c, 6.5×8.5 engraving.
I posted this as a reminder that winter can be beautiful. It has dropped to -21C/6F and, more than anybody, I needed the reminder.
This is a 12×18, 3 colour engraving. The van I was sitting and drawing in had a great heater!
A great print by my friend/student, Maria. It’s her third print which makes me think that it won’t be long before she’s teaching me.
13 x 8.375, 3/engraving; all engraved from the same plate.
Georgian Bay gets rough in a hurry and finding a flat camping spot out of the wind on an island like this is great.
A huge thunderstorm with torrential rain is quite enjoyable from inside a tent. Bring a good book.
3/c, 8×13 engraving.
An early morning pencil sketch in Sitges, a Spanish city on the Mediterranean, turned into a 2 colour engraving.
As I post this it’s -10C outside. I’d rather be in Sitges.
The start of a new series of prints, ‘The Oregon Chronicles’. It’s about creating something new from the decay of something old.
The depth is lost somewhat in the conversion from print to screen, from 15″x22″ to screen size, but hopefully you’ll get the concept.
As it happens, I have better luck sitting beside rivers drawing than sitting beside rivers fishing. I always end up with a drawing. The evening I drew this was incredibly quiet but for the sound of large hungry fish jumping out of, and splashing back into, the river. Alas, alack, I had no fishing pole, only a sketch pad.
This is a monoprint, not really a print; more like painting with a printing press.
I canoed out into a foggy waterway some years ago and have made a couple of attempts at making a print of the experience. The best I seem to do is to show one frame of what should be a movie. It looks foggy but nothing is emerging out of, nor disappearing into, the mist.